This past week, a whole lot of you probably took in a screening of The Curious Case of Benjamin Button (I took the girl to see it last night), and you've probably shared your opinions with friends, family and significant others. Some feel it's just way too long, while others argue it needs to be long in order for you, the audience member, to "feel" and adequately "experience" the main character's life-long journey. One aspect of the film a lot of people have discussed was how -- and there might be mild spoilers here -- if Brad Pitt's character starts out as a tiny old man, he should turn into an adult-sized baby at the end of the film. That would make the most sense, right?
Well, director David Fincher sat down with MTV recently and admitted that the original plan was to have Pitt play the baby. He says, "We were prepared to do that ... We just ran out of money. We could have made him into a baby. Anything you want to do, you can do now." Now THAT would've been worth the price of admission all on its own ... even though the image of Pitt as a big, weird-looking baby may have been all folks talked about afterward. Fincher also addressed those comparisons to Forest Gump, noting: "Forrest Gump? What's that? Instead of the ordinary man in extraordinary circumstances, I thought of [Benjamin] as an extraordinary man in very ordinary circumstances. I don't know how much an audience can relate to a guy who's aging backwards that ends up looking like Brad Pitt. My whole thing from the beginning has been that it's not high concept. The reason it's relatable is how it's dramatized. Everybody remembers their first kiss and hangover and person they fell in love with."
For those who've seen it, what do you think: Should Pitt have played an adult-sized baby?
Which year-end lists are really worth caring about? What films got a boost from the Broadcast Film Critics and Golden Globe nominations, like Happy-Go-Lucky, and which ones got lost in the shuffle? What's Iron Man doing on the AFI Top Ten Films List, anyhow? And what long, epic films are perfect for enjoying with a turkey sandwich on Boxing Day? Joining James this week to talk about all these topics and more is Kris Tapley of the weblog In Contention. You can listen to the podcast here at Cinematical by clicking below:
As ever, you can download the entire podcast right here -- and those of you with RSS Podcast readers can find all of Cinematical's podcast content at this link.
I saw The Curious Case of Benjamin Button weeks ago, and yet every time I tried to think about it -- whether it was to contemplate a decision in David Fincher's direction, a deviation from F. Scott Fitzgerald's story, a moment in Eric Roth's script or a note in the performances of Brad Pitt and Cate Blanchett -- I would soon find myself, invariably, distracted from the large-scale visions and moments of The Curious Case of Benjamin Button and instead contemplating the smaller-scale moments of my own life. This was at best annoying; what did it say about the film that I couldn't hold it in my attention? What did it say about my attention that I couldn't even focus it on a film? But Zen gives us the parable of the master who points to the moon, and the student who looks at the master's finger. Fincher, Roth, Pitt and Blanchett have all, in their way, made a film of true sincerity and (ironically enough in light of its technical achievements) real simplicity; resting your gaze on the film, without directing it onto the things it encourages you to look at, seems like staring at the pointing finger.
Fitzgerald's tale is a brief fantasia, the story of Benjamin Button, a man who, born old, ages backward; at the same time, the slenderest books often become the best films, the lush drapery of moviemaking lending their slight grace weight, the stark simplicity of the plot a place for a director's vision to find purchase and grow. Within moments -- as an old woman lies dying in a modern New Orleans hospital, slate-gray rain battering the windows, her daughter (Julia Ormond) paging through her diaries and scrapbooks as the old woman fades in and out of consciousness, flickering between past memory and present reality -- we know we're not in the world established in Fitzgerald's 1922 short story. The woman's diaries are not just hers, and as the daughter reads, we learn about the birth and exile of Benjamin Button, born old in New Orleans in 1918 just after the Great War. ...
I don't need much of an excuse to visit Austin, Texas. Find me an event that A) strings more than four movies together, and B) takes place at one of the Alamo Drafthouse movie theaters, and there's a good chance I'm checking my bank account, desperately scrambling for flight money. But despite the fact that I've done five SXSW visits, three Fantastic Fest trips, and a few more Austin journeys just for the heck of it ... I'd never attended a BNAT shindig. But I made it to the tenth annual Butt-Numb-a-Thon, and of course I had a damn good time once it got rolling.
Let's just do a quick run-through, chronologically speaking, and I'm listing just the FULL movies here. At the end I'll go over the various clips we were treated to...
So before anyone accuses me of pandering to celebrity by putting a picture of Brad Pitt on this news item, I want you to know that I tried to find a picture that was a little more 'newsworthy', but caved when I came up with nothing. So, it's Pitt you get. The Hollywood Reporter announced that Pitt's production company, Plan B, have purchased the rights to the true life tale of local journalist Linda Trest, and her take-down of a conman posing as a federal agent in Gerald, Missouri.
Anthony Walton and Andrew Dresher have already been tapped to write the story of a small town journalist by the name of Linda Trest who had been receiving complaints about drug searches that had been conducted by Bill A. Jakob (a new-to-town federal agent who had supposedly been sent to handle the town's Methamphetamine problem). After conducting her own investigation, Trest uncovered that Jakob was an unemployed former trucking company owner, a former security guard, a former wedding minister and a former small-town cop -- one thing he wasn't was a federal agent. Jakob eventually pleaded guilty to impersonating an officer, and is facing six years in prison.
Plan B has been snatching up new properties left and right lately, including Eat, Pray, Love, with Ryan Murphy directing, The Killer and Black Hole with David Fincher, and the just-announcedBattling Boy. Like with most Plan B projects, rumors are already brewing over whether or not Pitt will star (presumably as Jakob). But as we all know, Pitt has the bad habit of dropping out of movies even after signing on the dotted line, so we'll have to wait and see.
One of my tiny, movie-related pet peeves is when literature (be it novel, comic, or graphic novel) gets optioned before any of us get to read it. I long to be part of that secret society that knows (and has already read) everything cool that will be published for the next ten years.
The latest to join the club is Paul Pope's Battling Boy, which Variety reports has been picked up by Brad Pitt's Plan B shingle. (Plan B is fond of the geeky properties -- between this, World War Z, and Black Hole, when is Pitt going to break down and play a superhero? Or at least start attending comic book conventions?) The kicker is that we won't get to read Battling until Spring 2010(!), when it will be published by First Second Books.
You can get a glimpse of the book on First Second's official site (which reveals the book was to be published in 2007!), or here on Pope's blog. It's a book geared to the younger set, though it sounds like there's enough mayhem to keep adults interested. It follows a young boy who's the son of a god/superhero at his father's. At his father's request, the boy descends to the city of Monstropolis, where he takes on a plague of monsters. And they're not funny monsters -- in Pope's words, they're "horrible, Grimm's fairytale, Beowulf-ish monsters, awful things. Child-stealers. Plus some of the vampires and mummies and wolfmen we remember from the old black and white Hollywood horror films."
No writer or director has been attached to the movie adaptation yet -- could it be that we'll see the movie before the book? Either way, it sounds like the perfect story for any monster loving kids (big and small) you might know.
The first image of Brad Pitt from Quentin Tarantino's Inglourious Basterds has just arrived online (see below gallery and click to enlarge). In the film, Pitt plays Lt. Aldo Raine, who leads a group of Jewish-American soldiers during WWII called 'The Basterds'. For these men, their job is to track down and viciously murder Nazis in an attempt to provoke fear in the Third Reich. Basterds is currently in production in Germany, and stars Diane Kruger, Mélanie Laurent, Christoph Waltz, Daniel Brühl, Eli Roth, Samm Levine, B.J. Novak, Til Schweiger, Gedeon Burkhard, Paul Rust, Michael Bacall, Omar Doom, Sylvester Groth, Julie Dreyfus, Jacky Ido, August Diehl, Martin Wuttke, Richard Sammel, Christian Berkel, Sönke Möhring, Michael Fassbender, Mike Myers, Rod Taylor, Denis Menochet and Cloris Leachman.
Obviously they're wasting no time spreading hype for this flick (but will Tarantino have it done in time for Cannes, like he previously said?). What do you think of Pitt? Doesn't he look dashing ...
And here's the synopsis: Inglourious Basterds begins in German-occupied France, where Shosanna Dreyfus (Mélanie Laurent) witnesses the execution of her family at the hand of Nazi Colonel Hans Landa (Christoph Waltz). Shosanna narrowly escapes and flees to Paris, where she forges a new identity as the owner and operator of a cinema.
Elsewhere in Europe, Lieutenant Aldo Raine (Brad Pitt) organizes a group of Jewish soldiers to engage in targeted acts of retribution. Known to their enemy as "The Basterds," Raine's squad joins German actress and undercover agent Bridget Von Hammersmark (Diane Kruger) on a mission to take down the leaders of The Third Reich. Fates converge under a cinema marquee, where Shosanna is poised to carry out a revenge plan of her own...
It looks like both Warner Bros. and Brad Pitt can't get enough of Homer.
First, we got The Iliad morphed into Troy, with Pitt playing Achilles. Now Variety reports that Pitt is teaming up with Warner Bros. once again to make Homer's next epic, The Odyssey -- with George Miller adapting. Now you might wonder how Pitt can continue on when the story moves over to Sean Bean's Odysseus. First -- Pitt is on-board as producer. Second -- the hope is that Pitt will take over the role. (I guess Boromir isn't a big enough draw.)
But that's not all they're doing to jazz the story up -- their "intention is to transfer the tale to a futuristic setting in outer space." Um, 2001, anyone? If things work out, the plan is to get Miller to also direct the film, with Pitt journeying through space in whatever fashion Miller dreams up.
As someone who was quite disappointed with the first attempt in 2004, this just seems like grasping at straws -- stretching for a better reception while picking up on classic motifs like Kubrick. That being said, I adore Miller's work on Twilight Zone (I still get creeped out looking at plane wings) and would be interested to see what he can bring to the project. Thoughts?
A brand new trailer for The Curious Case of Benjamin Button has just arrived online via Apple (head there to view it in brilliant HD). Directed by David Fincher, Benjamin Button stars Brad Pitt as a man who's born old and slowly begins to age backwards. The film tells his life story -- one that follows him through a war and a love story with Cate Blanchett (the two also starred opposite one another in Babel). And in true extended trailer fashion, this one gives us a lot more meat -- snippets of scenes and dialogue from across the entire film. Visually, it looks stunning, and I wouldn't be surprised if this freakish flick hit the radar hard come Oscar time. Check out a few stills from the trailer up top and below, then head over to Apple to view the whole thing.
The Curious Case of Benjamin Button hits theaters Christmas Day.
When the worlds of Washington, DC political intrigue, infidelity, fitness centers and internet dating intersect and collide in a darkly hilarious fashion, you must be watching a film by the Coen brothers. Burn After Reading, Joel and Ethan Coen's follow-up to last year's critically lauded award winner, No Country for Old Men, was actually written by the duo as they were adapting No Country, but the two films couldn't be more different.
The colliding worlds in Burn After Reading involve a CIA analyst named Osbourne Cox (John Malkovich), who's summoned to a top-secret meeting only to find out that the secret is he's being demoted due to his drinking problem. Cox blows a gasket and quits rather than taking the demotion, planning to spend his new-found spare time working on his memoirs and refining his drinking. Cox is married to Katie (Tilda Swinton), a icy pediatrician with the worst bedside manner imaginable, and she's less than sympathetic to her husband's life crisis.
Welcome back to another edition of Insert Caption -- the game you won't want to burn after reading ... because, well, how could you win any prizes then? Last week we asked you to give us your best college-esque caption for a photo from the new comedy College. In return for your brilliance, we were shelling out a one-of-a-kind beer pong table. Sweeet! Only one winner this week, so congrats to John R. for his inspiring take on a classic tale ...
1. "Unfortunately, try as he might, Peter just couldn't find his way back into Narnia" -- John R.
This week, we're shacking up with our old Oscar-winning pals Joel and Ethan Coen as they get ready to unveil their latest darkly comedic crime caper, Burn After Reading, starring folks like George Clooney, Brad Pitt, John Malkovich and Frances McDormand. Prizes? Oh yeah, check it: One Grand Prize winner will receive one Burn After Reading USB 2.0, one T-shirt, one Water Bottle and two Wrist Bands. Wait, there's more! Four first prize winners will each receive one T-shirt, one Water Bottle, and two Wrist Bands. Sound off below!
Unfortunately, I did not manage to catch this extended TV spot for The Curious Case of Benjamin Button during NBC's Olympic coverage, though, luckily, one person did. I imagine this will eventually become the film's second trailer, and it'll hopefully arrive online in a higher quality at some point this week, but for the time being you can scope out a somewhat decent (except for the annoying beeps here and there) video of the spot above (courtesy of The Tube).
Some of what's included here is also in the film's first trailer (catch that in HD on the flick's official website), but we also have a bunch more dialogue, tons of amazing visuals and .... well, watch for yourself. While you never know what the final product will deliver, I can say this film is showing some tremendous, buzz-worthy promise right now -- especially with a director like David Fincher and a cast that includes Brad Pitt and Cate Blanchett (last time these two shared the screen, Babel was nominated for seven Oscars). Needless to say, I'm preemptively putting this on my top ten list for 2008 and crossing my fingers at the same time. The Curious Case of Benjamin Button arrives in theaters on December 19.
The cover for the spiffy new movie edition of F. Scott Fitzgerald's The Curious Case of Benjamin Button reads: "the inspiration for the upcoming major motion picture." Anyone who reads the famous 1922 short story, about a man who is mysteriously born a septuagenarian and begins to age backwards, will immediately realize that it can't be any more than that. My copy is about fifty small, large-print pages, and it takes no more than twenty minutes to read. There are only about four characters of any note, and each of their relationships is bitter and hollow; the whole thing is a quick, moody burst of melancholy, a high concept on which Fitzgerald had no interest in lingering.
The anxiously awaited movie is directed by David Fincher – his follow-up to Zodiac -- and written by Eric Roth (the IMDb doesn't list a credit for Fitzgerald), whose resume includes Forrest Gump, The Insider, and Munich. Compared to the source material, the film has virtually a cast of thousands. Benjamin's love interest is renamed Daisy – the story's "Hildegarde" just doesn't have the same ring to it – and is played by Cate Blanchett. "Daisy age 6" is played by Elle Fanning (a.k.a. Little Dakota), though it's hard to imagine what use the film will have for a Daisy age 6: do she and Benjamin now meet while the latter is an "old man" and she a toddler? President Theodore Roosevelt shows up, for some reason. And, at least according to this Ain't It Cool test screening review, the current incarnation of the movie clocks in at three hours.
There may not be much footage that we haven't already seen in either the original red-band trailer or the international teaser for the Coen brothers' Burn After Reading, but I noted enough bits and pieces to feel these two new videos worthy of sharing. Plus, for those of you who have a preference, George or Brad, you now have a trailer that fits you best. Personally, I'm hoping that the ladies, Frances McDormand and Tilda Swinton, get their own character-centric trailers. And while Focus Features is at it, how about individual spots for John Malkovich? Heck, give Richard Jenkins, J.K. Simmons and David Rasche each their own, too. I'm that excited about this movie that I want more, more, more.
Fortunately, we've only got about a month until Burn After Reading opens on September 12.
UPDATE: Variety confirms today that Brad Pitt has officially signed on to star in Tarantino's Inglorious Bastards. In the flick, Pitt will play a "Tennessee hillbilly who assembles a team of eight Jewish-American soldiers." Eli Roth and BJ Novak are also signed on to star.
Originally posted July 7, 2008 ...
Quentin Tarantino is wasting no time getting Inglorious Bastards into production -- it may make Cannes 2009 after all! He's aiming now for an October shoot, his screenplay is apparently done, it's out to studios for financing, and now all he needs is his cast.
As of yet, there have been no official casting announcements, but according to The Hollywood Reporter, rumors are currently circling Brad Pitt's name. Frankly, the thought fills me with delight! Pitt does his finest work in edgier fare, and an appearance in a Tarantino-helmed movie (remember he played a role in True Romance, off a script written by Tarantino) seems long, long overdue. It would also bring his eerie career synchronicity with George Clooney full circle, wouldn't it?
The biggest question seems to be his schedule, which is jam packed with new babies, movies ( three of which he's starring in, eight that he is producing), publicity obligations, and his charity projects. I mean, he's trying to help rebuild New Orleans! Can he fit Inglorious Bastards in? October is not that far away.
Tarantino standbys Tim Roth and Michael Madsen have long been unofficially attached, and I have no doubt they'll make it legal before too long. I'd would love to see Harvey Keitel make an appearance too. And to have Pitt in the inglorious bunch seems so right.
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UPDATE: 
