A lot of the time, watching a movie, we recoil or start at something in it: That's fake, we say, and dismiss the whole film. On many occasions, that impulse is correct because the film is fake, but on rare occasions, we feel that sensation of dislocated wrongness not because the film is fake but because our world is; we can't wrap our heads around the facts and ugly truths of what we see, can't comprehend how such things are possible, and recoil from them out of refusal to believe, not because they aren't believable. This is one of the challenges Defiance, the newest drama from Edward Zwick (Glory, Blood Diamond) faces as it tells the true story of the Bielski brothers, three Belorussian Jews and outlaw petty criminals who, during World War II's pogroms and purges, protected hundreds of Jews from the Nazis, some surviving and others actively fighting back.

We witness Tuvia Bielski (Daniel Craig) make the decision to kill his horse so it can be eaten, and we cannot imagine such hunger. We watch Zus Bielski (Liev Schrieber) fight alongside Russians who hate him to stop Germans who hate him, and we cannot imagine such a grim choice. We watch Asael Bielski (Jamie Bell) fall in love, or a quick quip between two supporting characters, and we cannot imagine love, or laughter, in such a place. But there must have been such hunger; there must have been such anger; there must have been laughter, and love, in the years of exile. It's hard to imagine, but that doesn't mean it's not true.

What does Daniel Craig get right in his new outing as James Bond? What does Quantum of Solace get wrong? Can Marc Forster really direct action? Is Olga Kurylenko really the "hottest Bond girl ever?" Which directors could and should take on Bond's 23rd outing? And above and beyond all these topics, what does this week's guest Kevin Kelly, of Joystiq and Spout, think needs to happen to save Bond from both his corporate overlords and world-destroying villains? You can listen to the podcast here at Cinematical by clicking below:



As ever, you can download the entire podcast right here -- and those of you with RSS Podcast readers can find all of Cinematical's podcast content at this link.

Even as the franchise began to shed staples with 2006's Casino Royale and tomorrow's Quantum of Solace, the James Bond series is still known for several keystones across twenty other films: girls, gadgets, guns, martinis, silhouettes of female figures thrusting about during the credits, and so on. Some would say that these were the traditions that helped lead James Bond down the path that would end in 2002's Die Another Day, which some would say made them want to take a top hat to their own throats. (Me? I didn't hate it.)

Among these recurring touches were the last lines, often cheeky turns of phrase that seemed to suggest that everything was going to be just fine between Commander Bond and that chick who we'd never see or hear about ever again. So, out of twenty-one films, I humbly offer up my picks for the seven best of the bunch. I'll leave you to find out if Quantum ends more along the lines of Royale's "The name's Bond... James Bond", or with something a bit sexier...

After the historic election of Barack Obama as the 44th president of the United States, naturally everyone's mind turned to the next logical step: Does this mean a black man could play James Bond, too?

At least that's where current Bond Daniel Craig's mind went. At a Rome press conference for Quantum of Solace, which opens in the U.S. on Friday, Craig said, "After Barack Obama's victory I think we might have reached the moment for a [black]* 007. I think the role could easily be played by a black actor, because the character created by Ian Fleming in the '50s has undergone a great deal of evolution and continues to be updated."

He also joked that the idea of a black 007 might have Fleming spinning in his grave. Fleming was considered by many to be racist -- just Google the words Ian Fleming racist to find plenty of people making that assertion -- and the U.K. Telegraph observes that his Bond novels "were laced with the racial prejudices of his era."

Surely there's nothing specific about the Bond character that couldn't just as easily apply to a black actor. There have been a few black Bond Girls romanced by white Bonds. Race doesn't generally play a part in the stories, at least not in the last several films. Then again, some people freaked out when Daniel Craig was cast solely because he was blond (if you can imagine the heresy). Would a complete makeover totally ruin it for the purists? What do you think? And if they did go with a black 007, who should play him?

*The word he actually used was "coloured," which apparently isn't quite as offensive and outdated in Europe as it is in America, as none of the news outlets covering the press conference expressed surprise over Craig's usage of it. He obviously didn't mean it with racist intent, anyway, so let's not dwell on it, mmkay?

What's happening in Hollywood? Does no one have a day planner? Can nobody stick to a schedule? Pushing a film's release date back a week or two isn't a big deal, but when you move it to an entirely different calendar year, that changes everything -- especially its Oscar chances.

As we've already mentioned, rumors are swirling that the Weinsteins' The Road won't be done in time for its November release, and maybe not for December, either. Now we have three more titles on the move. Jeffrey Wells at Hollywood Elsewhere is reporting that the Weinsteins' Hurricane Season, an Inspiring Sports Drama® about a high school basketball team composed of displaced Katrina survivors, is "not ready" for its planned Christmas Day release and is being pushed back to March. And at Paramount, two Oscar hopefuls, Defiance and The Soloist, are being bumped to 2009, too, according to Variety.

The Soloist move is the one that should raise the most eyebrows. A true story starring Jamie Foxx and Robert Downey Jr. (pictured), it has all the hallmarks of a feel-good Oscar contender, and that's how Paramount and DreamWorks (which produced it) were positioning it. But now it's being moved from Thanksgiving to March, which is basically Paramount's way of saying they don't have much confidence in its Oscar potential after all. At the very least, it means they think its chances of making a lot of money (which are higher in March than in the crowded holiday season) are greater than its chances of winning awards. Which might actually be a very smart financial move, so good for them.

So last week, the official theme song for Quantum of Solace -- y'know, that new James Bond flick -- was formally released online, and above is the music video for Jack White and Alicia Keys' "Another Way to Die." This managed to slip past us, probably because we were all still drooling over Erik's chance to comandeer an Aston friggin' Martin (no, no, 'jealous' isn't quite the word...), and now that it's out, opinions are becoming considerably divided.

On his personal blog, Bond devotee David Cornelius of eFilmCritic.com said "it's, um, not good. Really, really not good. The Coke commercial focused on the catchy hook, which was good. But the rest of the song? Not good. We're talking "Die Another Day" not good. Argh."

Devindra Hardawar of /Film feels a little less harsh about it: "It's not a terrible song (see Madonna's for Die Another Day for a good example of that), but it certainly doesn't feel like anything new for the series. It seems as if it tries to do way too much, and the song ends up feeling overstuffed in the process."

Left in the apparent, admitted minority is Devin Faraci over at CHUD.com, who likes the song, if not the video.

As for me, I dig the thing, though it's stuck stubbornly in my head over the past couple of days, but I rarely think that's a bad thing. What say you guys? Is "Another Way to Die" worthy of our favorite double-0 agent? Or would you rather they had just adopted "Something of Boris" instead?

Click Erik Davis' beautiful face above to head straight to our Aston Martin hi-res gallery

"Now this is a fun one -- when you get to 100mph, just slowly take your hands off the wheel and watch what the car does ..." -- Aston Martin Instructor #1

You may remember how last month Cinematical was invited to travel to London for something called "The James Bond Experience." Part of this "experience" included a chat with Bond himself, Daniel Craig, and Quantum of Solace director Marc Forster. (You can read all about that over here.) Now, however, we're finally allowed to tell you about some of the activities that took place during our four days across the pond -- and how do I not start with the awesomeness that was driving an Aston Martin -- a car, mind you, that's worth more than my life -- at well over 100mph. But let me back up.

Never sit at the back of a bus for more than an hour and a half. By the time our small group of online writers arrived at the Millbrook test track, I felt like I was ready to puke. Millbrook is literally in the middle of the English countryside -- an hour or so out of London, in Bedfordshire, England -- and it's the sort of place that calls for an escort to be with you at all times. See, Millbrook is where they test all sorts of cars and military vehicles before they're called into action. Thus, cameras are everywhere, the public is not allowed in and security is tighter than a seat belt around Santa.

Click above to go directly to hi-res gallery

As part of Cinematical's recent James Bond-related trip to London, we were handed six brand new photos from the film to share with our readers. Next week I'm allowed to start telling you what exactly went on over in London -- the danger, intrigue, romance, adventure and excellent room service -- but for now I want you to feast your eyes on these new images, which you can access by either clicking on the image above or into the gallery below.

Directed by Marc Forster, Quantum of Solace picks up 10 minutes after Casino Royale left off, and it follows Bond (Daniel Craig) while he continues his quest to take down the secret organization that blackmailed his ex-lover Vesper. During his mission, Bond will once again woo the ladies, as well as uncover one man's (Mathieu Amalric) sinister plot to control earth's water supply. Check out our brief conversation (using your questions) with both Craig and Forster over here.

Quantum of Solace hits theaters on November 14.

Ever since Daniel Craig took over as James Bond and helped re-boot the entire franchise with a modern, serious spin, folks have wondered how far, exactly, they'd take our favorite secret agent. Not long ago there was a rumor that Bond would go full frontal in Casino Royale, but that came and went. And then, for some odd reason, fans pondered whether Bond would ever seduce a man ... or if a man would ever seduce him. Perhaps the rumor began when Craig co-starred in Infamous and shared a kiss with Toby Jones -- or maybe a select group of fans simply like to push the buttons of those who would rather ... let's just say not be down for watching Bond take on a homosexual experience.

Well, most of you have nothing to worry about (and I say 'most' because I know our readers like to get their freak on and wouldn't mind some Bond on Hanz action). While in London, Craig addressed the issue and, regarding whether Bond would ever seduce another man, he said: " No. Kill him and then seduce him [laughs] but not seduce him. This is that question that keeps eternally coming up but it's never been on the agenda and we've never had a discussion about it. It's not something that I desire or want. No." Or shall we call that a Double-O No?

What do you think? Is there room in the franchise for them to play around with this idea?

It pains me that I can't go into every little fantastic detail when it comes to my recent Bond-related trip across the pond, but trust me when I say Quantum of Solace will definitely be one film you won't want to miss this fall. And if I go any further, the studio might just serve my head on a platter during the flick's premiere after party. But would I taste like chicken? Anyway, as we shared with you yesterday, Daniel Craig and Marc Forster were making the international rounds over in London late last week (where we sat down for a chat) and the Independent learned from Forster that a couple classic Bond one-liners will not be included in the upcoming Quantum of Solace.

Missing from the film will be the lines, "Bond, James Bond" and "Shaken ... not stirred." Forster says, "There was a 'Bond, James Bond' in the script. There are several places where we shot it as well, but it never worked as we hoped. I just felt we should cut it out, and Barbara Broccoli and Michael Wilson [the film's producers] agreed, and Daniel [Craig, who plays Bond] agreed, too. It's nice to be open-minded about the Bond formula. You can always go back to them later on." Some would argue it isn't a James Bond film unless the secret agent utters at least one of those lines at some point during his adventure. Me? I don't mind as much.

What do you Bond fanatics think? Are these two lines really that important in a Bond film? Does it bother you to know they won't be included this time around?

Quantum of Solace hits theaters on November 14.